UNCOVERINGS: SUMMARY OF UPDATES AND CHANGES
Introduction:
In 2025, AQSG held a retreat that gathered a Strategic Planning Committee to develop key priorities that support a long-term vision for the organization that would be fully actualized by 2035, with priorities to be addressed in the years 2026-2028. As part of this commitment to deepening and expanding our cultivation of quilt research and scholarship, the Publications Committee will institute an update to the submission requirements for
Uncoverings, which will go into effect through the 2026 call for submissions (to be published in 2027).
Purpose + Aims
The proposed updates were developed in alignment with AQSG Strategic Priority #2. Additional details can be found below:
Strategic Priority II—Advance Quilt Scholarship and the Community That Sustains It.
Promote high standards for quilt-related study by curating research, publishing
significant work, and fostering interdisciplinary learning. Strengthen the community of scholars, curators, makers, and educators who drive the field forward.
Objectives
● Develop a structured process to identify and elevate emerging voices in the quilt research field.
● Expand collaboration with academic and museum-based scholars on exhibitions, articles, and public programs.
● Expand the scope of
Uncoverings to highlight diverse and interdisciplinary
perspectives on quilt study.
We are confident that through the expansion of submissions for
Uncoverings, as well as the amendment of word count ranges and formats, we will:
● Increase the number of annual submissions to the journal from our current membership
● Raise visibility for new audiences and grow interest (and potential membership) in AQSG
● Deepen the connections between quilt research and underrepresented disciplines
Scope Updates:
Uncoverings welcomes scholarship that connects quilt research to a variety of disciplines and research areas. We value scholarship that speaks across disciplinary boundaries, drawing on relevant theoretical frameworks while remaining accessible to our diverse readership of scholars, historians, museum professionals, educators, collectors, researchers, and quiltmakers.
The following submission formats will be considered for acceptance:
Articles + Interviews
Articles are considered to be long-form research-based writing that presents original findings shaped around a key thesis or investigation. It typically follows a standardized structure—introduction, methods, findings and discussion—allowing readers to understand and evaluate the research process. The article contributes new knowledge to a field by building on existing literature and furthering knowledge of quilt research/scholarship.
Interviews should be formatted as a structured conversation between a researcher and participant(s) that is transcribed, edited, and published to share insights, perspectives, or experiences relevant to quilt scholarship. There should be an analysis of the conversation and topics discussed beyond the initial transcript. Standalone conversations will not be reviewed.
Word count: 4,000 to 9,000 words in length, including notes and appendix materials. Articles below the 9000 word limit are encouraged! Authors are asked to submit 5-7 keywords (in addition to their abstract) when submitting their works for review.
Image count:
max 15
Exhibition-Focused Studies
Exhibition-focused studies should highlight significant research and contributions to quilt study that have emerged through the presentation of work by an individual artist or group of artists and/or research undertaken by a curator or institution. Submissions should extend beyond a traditional review and critique of the works on view. Through these studies, readers should understand:
● The significance of this exhibition and its area(s) of focus to the field of quilt study/research
● What knowledge it furthers
● New or deepened findings based on the conducted research and work on view
Word limit: 2,500-4,000
Image count: max 12
Example 1:
Right to Rest—This article was published in Exhibition, a peer-reviewed journal of exhibition theory and practice for museum professionals, published by the American Alliance of Museums.
Example 2:
Museum Care of Indigenous Cradles: Insights From Consultation With Tribal Communities—
published in CURATOR: The Museum Journal
Visual essays
Visual essays combine scholarship with artistic storytelling for a more creative presentation of research and archival work. Authors are expected to contextualize the imagery in specific research themes, inclusive of proper citation and attribution where applicable. Visual essays may be best suited for the following submission formats:
● Original artwork developed by an author to reflect their research-based quilt practice or response to other quilt-related inquiry
● Material and technical analysis of specific quilts or quilt collections
● Documentation of quilt-making processes, techniques, or regional traditions
● Visual comparisons across time periods, makers, or geographic regions
● Exploration of pattern development and evolution
● Analysis of quilts as primary historical documents
● Conservation and preservation techniques and impact case studies
● Digital humanities projects involving quilt databases or mapping
● Practice-based research documenting contemporary quilt-making
Word count: 2000 (max)
Image count: max 10
Visual essay example 1 (without accompanying text)
● Note: a submission in this format would not be accepted as a standalone work. It would require context and analysis using the requirements listed above. This is simply an example of how a writer used a quilt block as a literary form within a journal.
Visual essay example 2
(with accompanying text)