Quilt History Snippets - June 2024

 
Kathy Moore

What:      Review of Uncoverings 1992, Volume 13 of the Research Papers of the American Quilt Study Group, edited by Laurel Horton

Topic:       From Myth to Maturity: The Evolution of Quilt Scholarship

Author:    Virginia Gunn


The author of this article, Virginia Gunn, is a former editor of AQSG’s Uncoverings and at the time this article was written she was President of the AQSG Board of Directors. She was also an Associate Professor of clothing, textiles, and interiors in the School of Home Economics and Family Ecology at the University of Akron, Ohio and had well established scholarly expertise along with numerous articles published in multiple volumes of Uncoverings.

 

In her abstract, Gunn states that “Quilting Myths are realities of quilt history. Romantic myths have been combined with historical facts as people interpreted America’s quilting past.” That they “survive and thrive because they reflect people’s dreams, ideals, and values.” But, she notes, we must be willing to “revise past scholarship in light of new knowledge…without letting them [myths] impede interpretations based on accurate and documented facts.” [p. 192]

 

The article that follows includes a cogent discussion of various myths in American history, most of them familiar to all of us. She presents a realistic description of how early quilt historians attempted to explain early American quilting practices and sources, often basing their comments on undocumented theories not based on scholarly research of early American history using authoritative primary and secondary documentation. Such early commentaries became embedded in people’s understanding of our history “even though factually false.” [p. 194] Gunn gives names of individuals and publications to establish her thesis in reality. And she provides a thorough discussion of the evolution of quilt history in America. To be fair, these early commentators had little documentation to go on. Some of them and their followers were motivated by romantic notions of an American history with which they had little actual knowledge. We have the advantage of decades of scholarly research and documentation thanks to organizations like AQSG and can more easily separate myth from reality.

 

Gunn’s cross-discipline approach includes a list of scholarly sources from history, social-cultural historians and material culture specialists, folklorists and oral historians, quilt collectors and commentators from the 1930s forward. Most of you will recognize the names, events, and publications mentioned.

 

Most relevantly, Gunn notes that “the old myths persist for they contain implied or explicit morals or messages still considered pertinent today.” [p. 201] She intersperses her article with a plea to strive to separate myth from reality, that their [myth] “contributions are most positive when clearly distinguished” and that “Well-documented history is often as fascinating as legend.” [p. 202]

 

Finally, it is important to remember that Gunn’s article was published in 1992. The book Hidden in Plain View by Jacqueline Tobin documenting family stories from Ozella McDaniel Williams claiming that escaping slaves used quilt patterns to guide them on their escape was published in 1999. It serves as a prime example of all the precautions Gunn has provided us in her 1992 article.

 

If you do not have a copy of this, or any, edition of Uncoverings, check the publication list on the AQSG website to see if any particular volume is available…many still are. To access an online version of any issue of Uncoverings find the links at the AQSG website or the Quilt Index at www.quiltindex.org. As always, you can contact me at kmoore81@austin.rr.com.


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June 4, 2025
What: Review of Uncoverings 1994, Volume 15 of the Research Papers of the American Quilt Study Group , edited by Virginia Gunn Topic: “An Album of Baltimore Album Quilt Studies” Author: Jennifer F. Goldsborough As a participant in “planning the 1994 exhibition of its Baltimore album quilt collection,” Goldsborough we able to participate in and observe at the ground level the study and process leading up to the Lavish Legacies exhibition. Goldsborough’s paper “delineates the methodology of the study and the contributions of several sorts of historians, conservators and contemporary quilters as well as discussing the most important findings and conclusions.” [p. 73] Goldsborough spends some time describing Baltimore album quilts, their creative history, and their distinguishing characteristics. The details are specific and a good primer for newcomers to the story of Baltimore quilts. Dr. William Rush Dunton, Jr.’s contribution to the story of the revelation of Baltimore album quilts in the twentieth century is credited and an important point that cannot be dismissed. Likewise, Dena Katzenberg’s catalogue and exhibition of these quilts which traveled across the country between 1980 and 1982 is given its due. [p. 76] Goldsborough details her personal research process and activities which began when “the Maryland Historical Society committed to a study and exhibition of the Baltimore album quilts in its collection” for the 1994 exhibition season. [p. 77] This is well described and a good guide for all of us as we try to do our own quilt research. Central to her process was the ability to collate information from hundreds of Baltimore quilt images and sort them into groups which she then organized according to relative complexity and sophistication. [p. 77] From this process Goldsborough developed three conclusions which she describes on page 78. Goldsborough describes the work of previous scholarship in defining specific designers of Baltimore quilt blocks and their specific characteristics. She then begins to detail the questions the team sought to answer or clarify in their pre-exhibition research. It was a bit like peeling the layers of an onion from the nineteenth century and is very informative for us in our own research processes. Her insightful and thorough summary on page 105 is long, detailed, and multidisciplinary in its approach. Finally, Goldsborough’s observations of the creative process in the designing and making of a Baltimore Album raffle quilt provided her opportunities to compare and contrast her conclusions and assumptions about the making of the original Baltimore Album quilts. She identifies herself as an outside observer and her descriptions of this process are equally interesting and insightful. It is striking that she was “reinforced” in her “belief that it is risky to interpret a quilt’s symbolic and emotional content without a sure record of the maker’s own deepest thoughts and feelings.” That’s a lesson we all can take to heart as we do our own research and reporting. [p. 108] This is a valuable source and guide for anyone interested in quilt history and in researching a quilt or a group of quilts. The notes and references section should be a good guide for anyone wanting to do their own research on any quilt(s).
May 1, 2025
Quilt History Snippets May 2025
April 9, 2025
What: Review of Uncoverings 1994, Volume 15 of the Research Papers of the American Quilt Study Group, edited by Virginia Gunn Topic: “Aesthetics and Ethnicity: Scotch-Irish Quilts in West Virginia” Author: Fawn Valentine
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